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Mackie created the original compact mixer over 20 years ago, delivering pro level technology and performance to the working musician for the first time ever. Since then, we have dedicated ourselves to constantly improving this classic design, culminating in our expansive VLZ3 Series of compact mixers. With your signature VLZ3 high-headroom, low-noise design and modern summing bus architecture, you always get crystal clear signal, even when you really crank it up. Their ultra-musical EQ provides precise control and optimum sound shaping latitude. And super quiet XDR2 (Extended Dynamic Range) microphone preamps deliver studio-grade sound - over a 130dB dynamic range - so your signal is clean, from a whisper to a scream. All this is packed into a tight "built-like-a-tank" steel chassis that maximizes your workspace... and they come at a price that maximizes your budget.
The all-new VLZ3 4-Bus mixers (2404-VLZ3 and 3204-VLZ3) bring this proven technology into boards with the high channel count and mixing tools needed for live sound applications. The inclusion of dual 32-bit RMFX+ "Gig Ready" effects processors and dedicated inline compression on key channels and all four subgroups are the perfect tools for live sound. And legit 4-track recording via USB lets you record the whole show with the flexibility needed for a proper mixdown later.
World's best-selling, most comprehensive compact mixer line
2 new premium FX mixers with USB for SR and recording applications
XDR2 microphone preamps - even cleaner with higher headroom
2, 3 or 4-band active EQ - more musical across the entire frequency range
Rugged "Built-Like-A-Tank" Mackie design
While keeping all the features and functionality of its predecessor, the new Mackie 1402-VLZ3 offers even greater headroom. We could have stopped right then and there, but we"re obsessed with perfection. So we redesigned the Mix Bus, tweaked the EQs, and created a mixer with a highly intuitive, musical feel.
VASTLY SUPERIOR XDR2MIC PREAMPS
Our new XDR2 (Extended Dynamic Range) second-generation microphone preamps are better than ever. These new pres offer incredibly low noise, with individual microphone pre THD below 0.0007%, and overall mixer THD less than 0.0025%. With 60dB of available gain per channel, the 1402-VLZ3 can handle inputs ranging from a whisper to a scream, and can even handle hot line-level signals up to +22db, without any added coloration. You simply won't find preamps this good on any other mixer in this price range.
We invested tremendous resources optimizing the center frequencies of our 3-band Active EQs. By selecting 80Hz, 2.5kHz and 12kHz, for the Lows, Mids and Highs, respectively, we created an even more musical EQ than on previous VLZs. With up to 15dB boost/cut capability per band, VLZ3's Active EQ provides more tone-sculpting latitude than any other mixer in its class.
The Mackie 1402-VLZ3 is packed with premium features on every microphone channel: 75Hz Low-Cut filters, two Aux Sends, inserts, phantom power, constant-loudness Pan controls and Pre Fader Solo. And since you can never have too many output options, we provided a Control Room/Phones source matrix, Master Aux section with EFX to Monitor, tape outputs, a high-volume headphone amplifier and balanced XLR and TRS outputs.
NEED EVEN MORE FLEXIBILITY?
Greg Mackie's mind was working overtime when he originally came up with this - instead of sending muted signals into the vacuum of space, why not do something useful with them? So, when you press the mute button on the 1402-VLZ3, the signal is indeed muted - but it also appears at the ALT 3-4 output jacks and ALT 3-4 stereo bus. This is an perfect way to create additional Aux Sends and mixes for cry rooms, green rooms, or assistive listening, etc. And with a press of a button, the ALT 3-4 mix can be assigned to the Main output - which means ALT 3-4 can act very much like a "mixer within a mixer." For instance, you could assign the backup vocals to the ALT 3-4 bus and then use the CTL ROOM/SUBMIX fader to add them back into the main mix. Now one fader controls the level of those channels as a single unit.
1402-VLZ3 VERSUS 1202-VLZ3
At 12.9" x 14" x 3.2", the 1402-VLZ3 is just slightly larger than the 1202. It features two more mic/line channels, and for those of you who prefer sliding to twisting, 60mm, long-wearing, log-taper faders versus the 1202's rotary pots. And that's just the obvious stuff. Under the hood the 1402-VLZ3 has an assignable Solo AFL/PFL switch, independent Left and Right Main output faders, and a Level Set LED.
BUILT MACKIE TOUGH
All VLZ3 mixers are built tough-as-a-tank. Our legendary solid-steel chassis can take the kind of abuse that would turn our competitors' flimsy boxes into twisted chunks of debris. Instead of cheap, unsealed potentiometers, we use co-molded pots, which offer substantial strain and impact relief. By design, our control knobs 'ride' just above the surface of the chassis, so if something falls onto the mixer, the impact is transferred from the knobs to the chassis - not to the potentiometers or circuit board. Finally, we use thick, horizontally mounted fiberglass PC boards to eliminate the potential for damage and brace them with a shock-absorbing support structure. They"ve survived earthquakes, hurricanes and typhoons, so Mackie mixers can certainly handle whatever you throw at them.
You'll find Mackie mixers everywhere you go - from video post-production facilities, to major artist tour buses, to duty as field mixers for news departments of all the major networks. Drummers and keyboardists use them to send submixes to front of house and monitor consoles. VLZ3 compact mixers are the perfect choice for any situation requiring superior audio mixing, especially where space and/or budget constraints are an issue.
New ultra-low noise VLZ3 design with highest possible headroom
6 studio-grade XDR2Extended Dynamic Range microphone preamps with:
- o Ultra-wide 60dB gain range
- o 130dB dynamic range
- o +22dBu line input handling
- o Extended low frequency response
- o Distortion under 0.0007% (20Hz - 20kHz)
- o Phantom power for studio condenser mics
12 high-headroom line inputs
Advanced DC pulse transformer RF rejection
2 Aux sends, level, pan and PFL solo on each channel
2 stereo Aux returns + EFX to Monitor
3-Band Active EQ (80Hz, 2.5kHz, 12kHz)
18dB/oct. 75Hz Lo-Cut filter on Mic input channels
ALT 3/4 stereo bus for added versatility
Control Room/Phones source matrix
Rack-mountable design using optional rack ears
Sealed rotary controls to resist dust and grime
New Multi-Voltage power supply for worldwide use
Rugged steel chassis
|Model||Line Inputs||Mic Inputs||Aux Sends||Subgroups||Compressors||Effects||USB I/O|
|3204-VLZ3||32||28||6||4||8||2 RMFX+||4 X 2|
|2404-VLZ3||24||20||6||4||8||2 RMFX+||4 X 2|
Mackie warrants its products to be free from defects for 1 year from the date of purchase.
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